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POMES!

Original light verse from the new illustrated compendium of the same name. 

Two red dragons and "if" cloud. Drawing in ink and colored pencil (9/18/01). Poem (pome) "Conditional Hypothetical" (1/14/07). Both by Anne Emerson Ross.
YES to YOU

It may be so

That happiness

Is less of no

And more of yes.

For the Pedestrian

Ad astra, friend, though you might forget

To look up while you're in your muddle:

Take heart, for at your very feet

The stars may be filling a puddle.

Kid wearing a raincoat, holding an umbrella, standing in crosswalk with puddle at feet. Ink drawing (1999), digitally redrawn. For poem (pome) “For the Pedestrian” (1/4/99). Both by Anne Emerson Ross.
Insight for the Human Organism

With overmuch stress, an amoeba will die;

With too little, the outcome's the same.

The trick lies in compassing somewhat of each

Without quite destroying the game.

“Persistence of Protozoans,” a play on Dalí’s “Persistence of Memory” painting. Ink drawing (1999), digitally redrawn. For poem (pome) “Insight for the Human Organism” (12/10/98). Both by Anne Emerson Ross.
Stray Thought for Stray Thinkers

If broke, you're called a crackpot;

If wealthy, you're "eccentric"—

But note what easy targets are

The rest who are concentric.

Apple tree and pear tree frame woman hoeing weeds in her garden. Pencil drawing (10/10/01), digitally redrawn and shaded. Poem (pome) "House & Garden" (8/10/01  and 11/17/23). Both by Anne Emerson Ross.
Stepping Up to the Universal Bar

While the pessimist gripes that his glass is depleted,

The optimist laughs that the pessimist's drunk.

The physicist nervously gets herself seated

And ponders there's even a glass to be thunk.

Fate with Brush

No matter how much I contend for dominion

Again in my hour of strife,

My mirror reflects its untoward opinion

That mine is a bad-hair life.

Picasso-style drawing of black acacia (Acacia melanoxylon) trees outside San Rafael art studio. Pencil drawing (9/21/01), digitally redrawn. Poem (pome) “Art Is Relative” (10/18/92 and 12/2/19). Both by Anne Emerson Ross.
Art Is Relative

 

“‘What is art?’?

What is not?”

urged Picasso

on the spot.

 

But, “Poetry?”

reminds the poet?

“A tree we’d artless be

to grow it.”

Ode to Aubergine
(A Tribute to Gelett Burgess)

The neighbors own a purple car;

They think it’s such a laugh to.

But trade it in or take it far?

I’d rather laugh than have to.

The Purple Cow

     by Gelett Burgess

I never saw a Purple Cow,

I never hope to see one;

But I can tell you, anyhow,

I'd rather see than be one.

Funeral Parlance

What's left of his hair is gray,

And they say he looks quite distinguished;

But he's rather a bit rosier now than he was,

Now that he's quite extinguished.

On Vision and Revision

(For Aspiring Optimists Only)

A tunneled apple signifies,

To most of us, a bad surprise.

But think how worm abbreviated

Proves such apple highly rated.

Woman examining an apple presampled by a worm. Ink drawing (1999), digitally redrawn and shaded. For poem (pome) "On Vision and Revision (For Aspiring Optimists Only)" (1/26/99). Both by Anne Emerson Ross.
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