My experience includes . . .

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WRITING

Favorite forms include screenwriting, short-shorts, verse, fables, advertising copy, and even procedure writing.

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COPYEDITING/BOOK EDITING

Examples of books edited for print:

• Singularity Point by Brian J. Smith (science fiction)

• Audubon: America's Greatest Naturalist and His Voyage of Discovery to Labrador by Peter B. Logan (scholarly historical work)

• Making It Safe to Love by Heidi Fox and Fred J. Keyser (relationship self-help)

Redesigned print version, created companion electronic version, and did custom indexes for both versions

• Beyond Effective by David Peck (business)

• Comprehensive study guides by Sheppard Partners, Inc. (training manuals)

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ART

Previously maintained a private fine-art studio with a partner for seven years. Was also a project manager for two years for an international manufacturer of museum-quality books, playing cards, and games. Ongoing projects include the design and development of games, softline items, and illustrated books.

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FILMMAKING

• Animation

Experience doing hand-drawn 2D, digital 2D, digital 3D (modeling, shading, rigging, and animating), and stop-motion.

• Art Department

Art Coordinator (internship)—independent feature film (IMDb credit)

Designer/Editor—production book

• Continuity

Continuity Supervisor—three live-action thesis projects

• Directing—various live-action shorts

Director | Codirector | Assistant Director

• Sound

Foley Artist | SFX | ADR | Walla

Foley Mixer | ADR Mixer | ​Production Sound Mixer

Sound Designer | Sound Editor

• Video

Video Editor | Video Consultant

• Writing—various animated and live-action shorts

• Formal Education

Graduated summa cum laude, B.A. in Cinema, Animation Emphasis, San Francisco State University; Distinguished Undergraduate in Cinema. Received First Place Student Film honor at ASIFA-SF Spring Animation Festival for six-minute thesis film The Visioner.

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THEATER

• Stagehand—various local productions

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